Saturday, March 30, 2019

Weekend Writing Prompt 5

Describe a walk through the woods (or other setting) from the viewpoints of three radically different characters.

If you come up with a good response, please consider sharing it. Complete THIS FORM with your description and some basic info no later than Friday, April 5. I’ll pick my favorite response and share it on the blog on the following Friday, April 12.

C. Wombat

Friday, March 29, 2019

Writing Prompt 3 Winner

Writing Prompt 3 was:

Write a poem about Spring which does not include any of these words: warm, rain, flower, sun, grass.

Bonus challenge: also avoid using the word “the” or any word ending in -ly

Congratulations to Jenny S., age 12, of Bloomington, Indiana, for composing this very creative poem.


C'mon, Summer

A chill yet lingers in soil and air,
As yet unbanished despite solar rays
Washing across them.

Fragments of color
Erupt from muddy graves,
Winter's sleep dispelled.

Tiny buds form, unfurl, explode
Into vibrant green.

My eyelids glow pink
As I stare through them
At Apollo's chariot,
A silent promise that summer will arrive
But not soon enough for me.

Thursday, March 28, 2019

Roadrunner Review Call for Submissions

The Roadrunner Review, an online literary journal that is run by the students at La Sierra University, is accepting submissions for its second issue. They are looking for fiction, nonfiction, and poetry pieces up to 1,000 words.

Deadline is April 7.

Submissions are open to any college undergraduate or graduate student.

In addition, they are also running a writing contest for high school students with a $200 prize. The winning entry will also be printed in their upcoming issue.

Deadline for the high school writing contest is May 5.

All entries must be previously unpublished. All rights revert to the author after publication.

See the Roadrunner Review submissions page for more details and to submit.

C. Wombat

Monday, March 25, 2019

6 Tips for Handling Rejection


If you’re an author, unless you’re the most brilliant author in the history of the universe (and perhaps even then), you are going to get rejected. Disappointing? Yes, but not the end of the world. Here is some advice on how to deal with it.

Don’t Take It Personally

Rejection happens. It is an absolute fact of life, not only in writing but in everything we do. Nobody is going to like what you have to say or the way you say it every single time. Some people may never like it. But others will. You just have to find the right person.

One of the most difficult pieces of rejection to get is when an agent or editor tells you they liked—or even loved—your writing, but they still don’t accept it. They’ll explain that it just isn’t the right fit for them, or not what they want right now, or too similar to something else they have already accepted.

While those may seem like brush offs, chances are what they are saying is 100% percent true. Agents and editors won’t tell you they liked your story if they didn’t. They don’t have time to waste on that. A positive rejection means you are very close to success. You just have to keep trying.

Consider Criticism with an Open Mind

If you are lucky enough to receive specific criticism, don’t get offended, and don’t ignore it. The person who sent you those comments took time out of their extremely busy schedule because they felt your writing was good enough to merit it.

Look carefully at what the rejection says. Don’t take it as an attack on you or your work, but as a suggestion, just like you would from a critique partner or beta reader. Consider it with an open mind. And then decide if you agree. If you do agree, make some changes. If you don’t agree, don’t. The next editor or agent may like your story exactly the way it is now.

Take a Short Break

Take a few minutes, a few hours, even a few days to do anything other than writing, or stewing over the latest rejection. Go for a walk. Go out to dinner with friends or your family. Take in the latest moving or binge watch past episodes of your favorite show. Get out of the house for the weekend and go somewhere.

Take a little bit of time to recharge your batteries, and to let the sting of rejection fade. Then take a deep breath, and dive right back in. If the rejection included a personal note, reread it and see if it’s worth addressing. If not, move on. Identify your next set of targets, and set out another round of queries.

A short break can help a lot, but keep it short. It is far too easy for a few days off to turn into weeks, months, even years. Don’t let that happen.

Write Something New

You may think the story or book that just got rejected is the best thing you have ever written. And it may be. But that doesn’t mean it is the best thing you will ever write.

Always have another project in progress, or waiting to be started. You should already be writing something new while you’re waiting to hear back on your last set of queries anyway. Use the power and energy of creation, of crafting an even better story, to help get you past the disappointment of rejection.

Don’t be afraid to send different works out to the same agents and editors, either. The first story might not have resonated with them, but they may absolutely adore the second.

Silence Your Biggest Critic

Even the most brilliant, egotistical, bombastic blowhard harbors self-doubt. For those of us mere mortals, we live our lives surrounded by doubt on every side. Receiving a rejection is just one more excuse for us to think the least of ourselves and our abilities.

Don’t fall into that trap. Take your self-doubt, slap it around a little bit, and kick it to the wayside. It isn’t doing you any good. A rejection does not mean you are a bad writer—some of the best and most prolific writers racked up hundreds of rejections before making their first sale.

And even famous, extensively published authors get rejected. Jane Yolen, award-winning author of more than 370 books for children, still receives rejections. Here’s what she has to say about it:1

Some rejections I curse the editor for being dense, uncaring, lying, or incompetent. Some I curse publishing in general, its emphasis on bestsellerdom, its attention to bottom line, its incapacity for surprise. Occasionally I curse myself: I’m not good enough for the idea. I was too facile. I sent it to the wrong editor. I am too demanding, not demanding enough. 
But I did the only thing possible, given a rejection. I turned right around and sent the little picture books off again, by email, to someone else.

A Rejection is a Win

It may not seem like it, but being rejected is not the worst thing that could happen to you as a writer. Not receiving rejections is.

If you never receive a rejection, it almost certainly means you never submitted your work in the first place. You never sent a query. You never even tried.

The only sure way to guarantee that you will never be published is to never try. Accept rejections for what they are: proof that you are trying, and will keep trying, until you succeed.

C. Wombat

Taken from Jane Yolen’s For Writers: Frequently Asked Questions.


Saturday, March 23, 2019

Weekend Writing Prompt 4


While fighting off a horde of zombies/vampires/werewolves/whatever, your hero discovers a way of killing/defeating them that no one else knows.

If you come up with a good response, please consider sharing it. Complete THIS FORM with your story and some basic info no later than Friday, March 29. I’ll pick my favorite response and share it on the blog on Friday, April 5.


C. Wombat

Friday, March 22, 2019

Writing Prompt 2 Winner

I was completely blown away by this snippet from Terry G., age 15, of Norfolk, VA. He took last week's prompt and went way above and beyond anything I was expecting.

The prompt was: Describe your house (or somewhere else) using only the senses of hearing, feeling, smell, and taste (no sight!).

Terry went with "somewhere else" and definitely knocked it out of the park. Enjoy.



The sharp clatter of hooves on cobblestones vanished at least an hour ago, replaced by rhythmic pounding on a hard-packed dirt road. As we make a sudden turn to the right, their gait slows to a walk, and deep grass muffles their progress.

No more dust at least, I think. I try once again to clear my throat, to cough up the cloying dirt, but the gag makes it impossible. The weak spasms bounce my body against the back of the man who guides our horse, scraping my cheek against his coarse shirt.

Murmuring voices drift from ahead, but they are too indistinct to make out over the jangle of harnesses, the rustle of slender legs through tall grass, the blowing of the nearly exhausted horses.

A swirling gust dries the dusty sweat on my face, carrying with it the scent of orchids and cowberries. The meadow we’re crossing must boast a respectable display of flowers, but the men were quite thorough with my blindfold and I can’t see a petal. I wouldn’t even be sure the sun was still up were it not warming my hair.

A moment later, the world grows suddenly colder as the sunlight vanishes and the thump of hooves on grass is replaced by rustling leaves and snapping twigs. A patch of woods, perhaps a forest. The trees could not have been too thickly clustered, as we ride another fifteen minutes before finally pulling to a stop.

The man before me dismounts and unties the cord that bind my legs to the horse. I am dragged from my seat and unceremoniously dumped on the ground. Before I can stand up, or even work some circulation into my dead legs, my ankles are pushed together and wrapped with rope.

“Comfortable, your Lordship?” a cruel voice asks, before breaking into a raucous laugh. Coarse hands drag me across the ground and prop me against a tree. Another rope is looped under my arms and wrapped around the tree, tugging against my chest as it is tied on the far side.

Over the next hour, they unsaddle the horses, build a fire, cook their dinner. My stomach rumbles at the smell of a savory stew, venison as near as I can tell. Despite my hunger, I don’t think I could keep anything down. Not that it matters. No one offers me even a single bite. I taste nothing but the dust of the road that still clings to my gag.

The men are careful. Far more careful than I would have credited. Talk is minimal. There are no threats, no boasting, no banter. Not a single name gets used, nor any hint of where they are taking me, or why. Though why seems obvious. It must be for money. My family has no influence at court that might be manipulated, but they do have plenty of money.

Tree frogs and crickets begin their nighttime song. The breeze has died, but the cold seeps in from every side. I am too far from the fire to enjoy any of its warmth. No one offers me a cloak or a blanket. It will be a long, uncomfortable night.

I lean my head back against the tree. Coarse bark grinds against my skin. When I tip my head forward again to try another angle, strands of my hair cling to the tree. Great. Just what I needed. Pine sap in my hair, on top of everything else. There is nothing for it. I settle my head back again, hoping to find a more comfortable position.

I know I must have dozed off somehow. The frogs have quieted enough to tell me a couple of hours have passed. Now their mating cries vie against the snoring of my captors. I am just about to try sleeping again when I realize someone is right next to me. I can feel the radiant warmth of their body on my cheek.

“Don’t make a sound.”

The whisper borders on the inaudible, the speaker’s lips so close to my ear that they tickle it. The words bring a smile to my face and hope to my heart for the first time since I was seized.

Irina. I should have known she’d find me.

Cold steel rubs against my wrist as a wickedly sharp knife slices through my bonds. In a moment my hands are free. I work to silently rub some feeling back into them as the knife moves to my feet, to my gag, and at last to my blindfold. The knife vanishes, to be replaced by strong, slender hands. Irina helps me to my feet. She doesn’t make a sound. I do. But not so much that anyone could hear it over the reverberating snores.

“Don’t move unless you have to,” Irina breaths. “If you must, head left. My horse is near the road. I’ll be right back.”

The night is dark, the fire down to the last faint embers, the leaves blocking the starlight. I can barely make out the tree next to me, can’t see the sleeping shapes on the ground at all. That’s okay. I don’t want to.

I close my eyes and listen to Irina work. I hear nothing of her movements, but I can track her nonetheless as she moves through the camp. One by one, the snores go silent. I almost feel sorry for them.

Almost.